Poetic Ponderings for November - William Butler Yeats
Poetic Ponderings at the Caledon Library
Wednesday, November 24
4pm SLT
Caledon Library Meeting Rooms, Caledon Victoria City
http://slurl.com/secondlife/Caledon%20Victoria%20City/155/118/23
The 19th century was a time of poetic inspiration and innovation. In both style and subject, poets experimented with characterizing their emotions and perceptions within the frame of verse. At the beginning of the century the Romantic school, in reaction against Enlightenment ideals, sought inspiration in the workings of intuition and in pastoral settings. In mid-century, Emily Dickinson wrote of death and immortality, drawing on her own rarefied sensibility and using the unconventional device of slant rhyme. At the end of the century William Butler Yeats made the Celtic twilight come alive for his readers. Our series will read and consider these poets and more, focusing on the force and individuality of the poetic voice. Join us for a new poem each month.
Here is our poem for this month:
William Butler Yeats (1865-1939)
The Stolen Child
Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.
Wednesday, November 24
4pm SLT
Caledon Library Meeting Rooms, Caledon Victoria City
http://slurl.com/secondlife/Caledon%20Victoria%20City/155/118/23
The 19th century was a time of poetic inspiration and innovation. In both style and subject, poets experimented with characterizing their emotions and perceptions within the frame of verse. At the beginning of the century the Romantic school, in reaction against Enlightenment ideals, sought inspiration in the workings of intuition and in pastoral settings. In mid-century, Emily Dickinson wrote of death and immortality, drawing on her own rarefied sensibility and using the unconventional device of slant rhyme. At the end of the century William Butler Yeats made the Celtic twilight come alive for his readers. Our series will read and consider these poets and more, focusing on the force and individuality of the poetic voice. Join us for a new poem each month.
Here is our poem for this month:
William Butler Yeats (1865-1939)
The Stolen Child
Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.
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