By Whitman, Biweekly! August 25th
By Whitman, Biweekly!
Tuesday August 25th, 4pm SLT
Caledon Library, on the Hub in Victoria City
http://slurl.com/secondlife/Caledon%20Victoria%20City/160/117/23
A Discussion led by Dame Kghia Gheardi of the works of Walt Whitman
Walt Whitman's Leaves of Grass is one of the works at the foundations of American poetry. Its expansive attempt to capture the spirit and landscape of the 19th century United States has influenced an entire culture's self-concept, and its rich language continues to inspire readers today as it has for the century and a half of its existence.
"By Whitman, BI-Weekly" will provide an opportunity to look closely at this beloved work. Each time we'll spend an hour discussing its context and examining the poetry of the 1855 first edition.
The series will also give those who love Leaves of Grass, and those who would like to learn more, an opportunity to explore Whitman's vigorous and heartfelt poetry together.
This week, we will continue our discussion of "Song of Myself," the first poem to Walt Whitman's Leaves of Grass.
Here is the passage we'll discuss
Tuesday August 25th, 4pm SLT
Caledon Library, on the Hub in Victoria City
http://slurl.com/secondlife/Caledon%20Victoria%20City/160/117/23
A Discussion led by Dame Kghia Gheardi of the works of Walt Whitman
Walt Whitman's Leaves of Grass is one of the works at the foundations of American poetry. Its expansive attempt to capture the spirit and landscape of the 19th century United States has influenced an entire culture's self-concept, and its rich language continues to inspire readers today as it has for the century and a half of its existence.
"By Whitman, BI-Weekly" will provide an opportunity to look closely at this beloved work. Each time we'll spend an hour discussing its context and examining the poetry of the 1855 first edition.
The series will also give those who love Leaves of Grass, and those who would like to learn more, an opportunity to explore Whitman's vigorous and heartfelt poetry together.
This week, we will continue our discussion of "Song of Myself," the first poem to Walt Whitman's Leaves of Grass.
Here is the passage we'll discuss
A gigantic beauty of a stallion, fresh and responsive to my caresses,
Head high in the forehead and wide between the ears,
Limbs glossy and supple, tail dusting the ground,
Eyes well apart and full of sparkling wickedness . . . . ears finely cut and flexibly
moving.
His nostrils dilate . . . . my heels embrace him . . . . his well built limbs tremble with
pleasure . . . . we speed around and return.
I but use you a moment and then I resign you stallion . . . . and do not need your
paces, and outgallop them,
And myself as I stand or sit pass faster than you.
Swift wind! Space! My Soul! Now I know it is true what I guessed at;
What I guessed when I loafed on the grass,
What I guessed while I lay alone in my bed . . . . and again as I walked the beach
under the paling stars of the morning.
My ties and ballasts leave me . . . . I travel . . . . I sail . . . . my elbows rest in the
sea-gaps,
I skirt the sierras . . . . my palms cover continents,
I am afoot with my vision.
By the city's quadrangular houses . . . . in log-huts, or camping with lumbermen,
Along the ruts of the turnpike . . . . along the dry gulch and rivulet bed,
Hoeing my onion-patch, and rows of carrots and parsnips . . . . crossing savannas . . .
trailing in forests,
Prospecting . . . . gold-digging . . . . girdling the trees of a new purchase,
Scorched ankle-deep by the hot sand . . . . hauling my boat down the shallow river;
Where the panther walks to and fro on a limb overhead . . . . where the buck turns
furiously at the hunter,
Where the rattlesnake suns his flabby length on a rock . . . . where the otter is
feeding on fish,
Where the alligator in his tough pimples sleeps by the bayou,
Where the black bear is searching for roots or honey . . . . where the beaver pats
the mud with his paddle-tail;
Over the growing sugar . . . . over the cottonplant . . . . over the rice in its low
moist field;
Over the sharp-peaked farmhouse with its scalloped scum and slender shoots from
the gutters;
Over the western persimmon . . . . over the longleaved corn and the delicate blue-
flowered flax;
Over the white and brown buckwheat, a hummer and a buzzer there with the rest,
Over the dusky green of the rye as it ripples and shades in the breeze;
Scaling mountains . . . . pulling myself cautiously up . . . . holding on by low scrag-
ged limbs,
Walking the path worn in the grass and beat through the leaves of the brush;
Where the quail is whistling betwixt the woods and the wheatlot,
Where the bat flies in the July eve . . . . where the great goldbug drops through the
dark;
Where the flails keep time on the barn floor,
Where the brook puts out of the roots of the old tree and flows to the meadow,
Where cattle stand and shake away flies with the tremulous shuddering of their
hides,
Where the cheese-cloth hangs in the kitchen, and andirons straddle the hearth-slab,
and cobwebs fall in festoons from the rafters;
Where triphammers crash . . . . where the press is whirling its cylinders;
Wherever the human heart beats with terrible throes out of its ribs;
Where the pear-shaped balloon is floating aloft . . . . floating in it myself and look-
ing composedly down;
Where the life-car is drawn on the slipnoose . . . . where the heat hatches pale-
green eggs in the dented sand,
Where the she-whale swims with her calves and never forsakes them,
Where the steamship trails hindways its long pennant of smoke,
Where the ground-shark's fin cuts like a black chip out of the water,
Where the half-burned brig is riding on unknown currents,
Where shells grow to her slimy deck, and the dead are corrupting below;
Where the striped and starred flag is borne at the head of the regiments;
Approaching Manhattan, up by the long-stretching island,
Under Niagara, the cataract falling like a veil over my countenance;
Upon a door-step . . . . upon the horse-block of hard wood outside,
Upon the race-course, or enjoying pic-nics or jigs or a good game of base-ball,
At he-festivals with blackguard jibes and ironical license and bull-dances and
drinking and laughter,
At the cider-mill, tasting the sweet of the brown sqush . . . . sucking the juice
through a straw,
At apple-pealings, wanting kisses for all the red fruit I find,
At musters and beach-parties and friendly bees and huskings and house-raisings;
Where the mockingbird sounds his delicious gurgles, and cackles and screams and
weeps,
Where the hay-rick stands in the barnyard, and the dry-stalks are scattered, and the
brood cow waits in the hovel,
Where the bull advances to do his masculine work, and the stud to the mare, and the
cock is treading the hen,
Where the heifers browse, and the geese nip their food with short jerks;
Where the sundown shadows lengthen over the limitless and lonesome prairie,
Where the herds of buffalo make a crawling spread of the square miles far and
near;
Where the hummingbird shimmers . . . . where the neck of the longlived swan is
curving and winding;
Where the laughing-gull scoots by the slappy shore and laughs her near-human
laugh;
Where beehives range on a gray bench in the garden half- hid by the high weeds;
Where the band-necked partridges roost in a ring on the ground with their heads
out;
Where burial coaches enter the arched gates of a cemetery;
Where winter wolves bark amid wastes of snow and icicled trees;
Where the yellow-crowned heron comes to the edge of the marsh at night and feeds
upon small crabs;
Where the splash of swimmers and divers cools the warm noon;
Where the katydid works her chromatic reed on the walnut-tree over the well;
Through patches of citrons and cucumbers with silver-wired leaves,
Through the salt-lick or orange glade . . . . or under conical furs;
Through the gymnasium . . . . through the curtained saloon . . . . through the office
or public hall;
Pleased with the native and pleased with the foreign . . . . pleased with the new
and old,
Pleased with women, the homely as well as the handsome,
Pleased with the quakeress as she puts off her bonnet and talks melodiously,
Pleased with the primitive tunes of the choir of the whitewashed church,
Pleased with the earnest words of the sweating Methodist preacher, or any preacher
. . . . looking seriously at the camp-meeting;
Looking in at the shop-windows in Broadway the whole forenoon . . . . pressing the
flesh of my nose to the thick plate-glass,
Wandering the same afternoon with my face turned up to the clouds;
My right and left arms round the sides of two friends and I in the middle;
Coming home with the bearded and dark-cheeked bush-boy . . . . riding behind him
at the drape of the day;
Far from the settlements studying the print of animals' feet, or the moccasin print;
By the cot in the hospital reaching lemonade to a feverish patient,
By the coffined corpse when all is still, examining with a candle;
Voyaging to every port to dicker and adventure;
Hurrying with the modern crowd, as eager and fickle as any,
Hot toward one I hate, ready in my madness to knife him;
Solitary at midnight in my back yard, my thoughts gone from me a long while,
Walking the old hills of Judea with the beautiful gentle god by my side;
Speeding through space . . . . speeding through heaven and the stars,
Speeding amid the seven satellites and the broad ring and the diameter of eighty
thousand miles,
Speeding with tailed meteors . . . . throwing fire-balls like the rest,
Carrying the crescent child that carries its own full mother in its belly;
Storming enjoying planning loving cautioning,
Backing and filling, appearing and disappearing,
I tread day and night such roads.
I visit the orchards of God and look at the spheric product,
And look at quintillions ripened, and look at quintillions green.
I fly the flight of the fluid and swallowing soul,
My course runs below the soundings of plummets.
I help myself to material and immaterial,
No guard can shut me off, no law can prevent me.
I anchor my ship for a little while only,
My messengers continually cruise away or bring their returns to me.
I go hunting polar furs and the seal . . . . leaping chasms with a pike-pointed staff
. . . . clinging to topples of brittle and blue.
I ascend to the foretruck . . . . I take my place late at night in the crow's nest . . . .
we sail through the arctic sea . . . . it is plenty light enough,
Through the clear atmosphere I stretch around on the wonderful beauty,
The enormous masses of ice pass me and I pass them . . . . the scenery is plain in
all directions,
The white-topped mountains point up in the distance . . . . I fling out my fancies
toward them;
We are about approaching some great battlefield in which we are soon to be
engaged,
We pass the colossal outposts of the encampments . . . . we pass with still feet and
caution;
Or we are entering by the suburbs some vast and ruined city . . . . the blocks and
fallen architecture more than all the living cities of the globe.
I am a free companion . . . . I bivouac by invading watchfires.
I turn the bridegroom out of bed and stay with the bride myself,
And tighten her all night to my thighs and lips.
My voice is the wife's voice, the screech by the rail of the stairs,
They fetch my man's body up dripping and drowned.
I understand the large hearts of heroes,
The courage of present times and all times;
How the skipper saw the crowded and rudderless wreck of the steamship, and death
chasing it up and down the storm,
How he knuckled tight and gave not back one inch, and was faithful of days and
faithful of nights,
And chalked in large letters on a board, Be of good cheer, We will not desert you;
How he saved the drifting company at last,
How the lank loose-gowned women looked when boated from the side of their
prepared graves,
How the silent old-faced infants, and the lifted sick, and the sharp-lipped unshaved
men;
All this I swallow and it tastes good . . . . I like it well, and it becomes mine,
I am the man . . . . I suffered . . . . I was there.
The disdain and calmness of martyrs,
The mother condemned for a witch and burnt with dry wood, and her children
gazing on;
The hounded slave that flags in the race and leans by the fence, blowing and
covered with sweat,
The twinges that sting like needles his legs and neck,
The murderous buckshot and the bullets,
All these I feel or am.
I am the hounded slave . . . . I wince at the bite of the dogs,
Hell and despair are upon me . . . . crack and again crack the marksmen,
I clutch the rails of the fence . . . . my gore dribs thinned with the ooze of my skin,
I fall on the weeds and stones,
The riders spur their unwilling horses and haul close,
They taunt my dizzy ears . . . . they beat me violently over the head with their
whip-stocks.
Agonies are one of my changes of garments;
I do not ask the wounded person how he feels . . . . I myself become the wounded
person,
My hurt turns livid upon me as I lean on a cane and observe.
I am the mashed fireman with breastbone broken . . . . tumbling walls buried me in
their debris,
Heat and smoke I inspired . . . . I heard the yelling shouts of my comrades,
I heard the distant click of their picks and shovels;
They have cleared the beams away . . . . they tenderly lift me forth.
I lie in the night air in my red shirt . . . . the pervading hush is for my sake,
Painless after all I lie, exhausted but not so unhappy,
White and beautiful are the faces around me . . . . the heads are bared of their fire-
caps,
The kneeling crowd fades with the light of the torches.
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